Texas Guinan Fans and Mae-Mavens

Many publications announced the Texas Guinan and Mae West walking tour and also saluted the August 17th birthday of Mae.
• • Playbill, marking "this date in theatre history," has managed to get her birth year wrong (again) and also tripped up on the stage plays in which she appeared. No, Mr. Playbill, Mae West wrote The Drag but did not star in this 1927 production since she was still appearing in her play Sex at the time.
• • Other news outlets recognized the writer and comedienne as "an actress from the 1930s," erasing her long career in vaudeville and on Broadway, which preceded her 1932 Paramount debut when Mae was an "overnight sensation" at 39 years old.
• • A more faithful close-up was offered on Sunday in the Brooklyn blonde's hometown when a group of Mae-mavens gathered along Shubert Alley to learn how she forged her dreams of deliverance in Times Square along with her diamond-draped colleague Texas Guinan.
• • Attendees posed for pictures in the same spot where the graceful, well-groomed Bucephala, Texas Guinan's horse, was mounted 82 years ago — — that magnificent creature who carried the queen of the night scene up the center aisle of the Shubert Theatre and deposited her onstage as the red velvet curtain was raised for Padlocks of 1927.
• • Ah, Longacre Square, the legitimate theatres, those expensive playhouses built to look like a palazzo, a Tuscan hillside hideaway, a marble mansion, a Venetian villa, a Georgian fantasy — — where little Mae held her mother's hand as they waited for an usher to seat them, lavishly spending each moment of a matinee, drinking in the illusion of the drama in which the mountain of self might have no top, and each encounter might be a reckoning with fleet-footed fate.
• • On Sunday August 16th, the patient assemblage viewed vintage news clippings that decorated the disappointments of another century — — front page humiliations, the raids, the padlocks, the prison sentences, and the losses of a $200,000 advance for Pleasure Man after the purity police shuttered the show on 1 October 1928. They genuflected and strolled down the aisle of St. Malachy's, the church where Texas Guinan and Mae West examined Rudolph Valentino's coffin in August 1926 and mutually agreed the hardy 31-year-old must have been poisoned.
• • On West 54th Street, thanks to a gracious doorman, the tour takers paused in the same vestibule where Mae West entered and exited in 1927 as she was writing Diamond Lil and getting better acquainted with Owney Madden and others who bulleted the headlines.• • Perhaps West 54th recalls the roll calls of absent names, first kisses, the confetti victory parades in an era when Mae West's latest show was billed as "hotter than the Armistice."• • • • Prizes • • • •• • And the group has something else to remember as well — — a handful of raffle prizes. A number of individuals each won a colorful Mae West magnet, a few screened with film posters, stage plays, or her one-liners. Two lovely ladies — — Denise from Manhattan and Karen from Pittsburgh — — each won a "Gaudy Girls" CD, courtesy of Maggie Worsdale and Anne Marie Finnie, who perform live as Sophie Tucker and Mae West. Everyone received a "Gaudy Girls" flyer announcing their next racy performance at Monticello Raceway and Casino on 21 October 2009. And two lucky lasses won a treasured set of Texas Guinan's silent films — — fashion model Gwen Bucci from Manhattan and art curator Frédérique Joseph-Lowery from Fairlawn, New Jersey — — courtesy of an avid Texas Guinan archivist.
• • Exciting news is on the horizon. More anon.
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Texas Guinan
• • Photo: Texas Guinan fans • • tour group on 16 August 2009 • •
NYC
Texas Guinan.

Texas Guinan: Mae & Money

The past is another country — — and Texas Guinan's friend MAE WEST was most comfortable there.
• • However, in her Broadway blockbuster "Diamond Lil" [1928] Mae's aim was not to resurrect the naughty nineties — — but to present that bygone decade's sins in shifty soft focus. The world of Diamond Lil, restrained by Victorian morality despite a certain cheeky daring, was a backwards glance to a time of innocence, picturesque entertainment, well-behaved wildness, corset-clad temptresses, The Police Gazette's seductions, and 5-cent beer.
• • Drama critic Stark Young [1881—1963] analyzed Mae's clever maneuvers in his article for The New Republic:
• • "Diamond Lil" is as daring in the end [as 1926's "Sex"], the same sexy morsels, embraces, interventions of the law with rank suspenses, frank speeches, underworld, and so on. But it is more covered, continuous, and studied than the other production, and the crowd of characters, the costuming and vaudevillistic intervals, pull the whole of this later play into a more familiar style, less crudely, and sheerly singular than "Sex" appeared to be [excerpt from The New Republic — 27 June 1928].
• • Louis Lopardi, who will direct "Courting Mae West: Sex, Censorship and Secrets" in July at the Algonquin Theatre, also feels enriched by the past. His own production — — The Purgatory Project, Part 2 — — reimagined the lives led by four famous historical figures: Sigmund Freud, Peter Ilich Tchaikovsky, J. Robert Oppenheimer, and Lee Harvey Oswald.
• • A history buff as well as a thespian, Lopardi especially enjoys plays with a classical echo, texts rooted to a mythic past. For instance, he found "Metamorphoses," a play based on the Greek poem Metamorphoses by Ovid, fascinating and he relished the modernized adaptation written by Mary Zimmerman a few years ago. Ovid works onstage because those depictions of yearning and confused desires are timeless, feels Lopardi.
• • Since he has frequently decanted Ovid's ancient songs, he noticed right away the mythic skin underneath "Courting Mae West" — — the Brooklyn bombshell's story reimagined as the metamorphosis of King Midas. How you get the golden touch is one of the subtle sub-plots here. As Mae's career goals recalibrate her box office appeal, she will earn her hard cold slice of success — — but at a cost.
• • "I like a multi-layered comedy," admits Lopardi. "The best shows make you laugh for an hour and a half — — and then, untethered from your Playbill, you mull it over at home."
• • Bringing "Courting Mae West" to an audience requires funding. To support A Company Of Players, a non-profit theatre group established in 1979 to present meaningful theatre, please click on this link — — http://www.companyofplayers.com/support.htm
• • A Company Of Players is recognized by the IRS as a 501(c)3 type organization, and donations to the group are considered a charitable, tax-deductible contribution.
• • Contribute through "Pay Pal" or you can mail a check to: A Company Of Players, 545 Eighth Avenue, #401, New York NY 10018-4307.
• • "Courting Mae West: Sex, Censorship, and Secrets" — — which features Texas Guinan in the cast — — will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] from July 19th — 22nd, 2008.
• • Get ready to come up and see Mae West and Texas Guinan onstage in mid-July 2008.
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Texas Guinan
• • Photo: Mae West and Texas Guinan • • 1930 • •
NYC
Texas Guinan.

Texas Guinan: Casting Call

"COURTING MAE WEST" — — which features the arrest and trial of Mae West at the Jefferson Market Court House and the character of Texas Guinan — — will have a table reading in the month of March [2008], under the direction of Louis Lopardi, at The Producers Club.
• • A Company of Players will read the script aloud in preparation for a short Workshop Production in Manhattan.
• • Seeking the next Mae West!
• • Meanwhile, the search continues for the right actress to portray Mae West [1893—1980] — — in this serious-minded comedy that offers a star-making role. During the Prohibition Era, the Brooklyn bombshell was in her thirties. The ideal audition candidate is 25—30 with serious stage training and industrial strength charisma.
• • Rehearsals begin in June 2008 in Manhattan.
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• • Resumes and photo to:
• • A Company of Players
• • Attention: Louis Lopardi, Artistic Director
• • 545 Eighth Avenue [Box # 401]
• • New York, NY 10018 - 4307
• • Send Email via the web site — — www.CompanyofPlayers.com
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• • The Producers Club is located at 358 West 44th Street [between 8th-9th Avenue], New York, NY 10036.
• • Meanwhile, a fundraising effort is in progress. Matching funds have been promised for every dollar raised.
• • "Courting Mae West: Sex, Censorship, and Secrets" will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] from July 19th - 22nd, 2008.
• • Get ready to come up and see Mae West and Texas Guinan onstage in mid-July 2008.
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Texas Guinan
• • Photo: Mae West • • 1927 • •
NYC
Texas Guinan.

Texas Guinan Onstage in 2008

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• • The event's board of directors met and approved my director's pitch — — and my play "COURTING MAE WEST" has cleared the first hurdle to be onstage during their annual early July festival in a theatre in Manhattan.
• • The festival offers over 30 live acts. Mine is one of the two plays they will produce. My 95-minute serious-minded comedy will be shown FOUR times onstage [in a theatre with fewer than 99 seats].
• • Texas Guinan is in the cast along with other real-life characters that Mae West knew (and Mae knew quite a lot of characters).
• • After the 9 February 1927 performance of "SEX," Mae was hauled off to Jefferson Market Police Court on Sixth Avenue, where she spent the night locked up with streetwalkers and drug addicts.
• • Details and ticket prices will be posted when available.
• • Get ready to come up and see Mae onstage during July 2008.
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Texas Guinan
• • Photo: Texas Guinan's friend • • 1927 • •
NYC
Texas Guinan.